K.L. Saigal
The Musical Genius

Recognized as the greatest singer of the century, K.L. Saigal was a musical genius who became a legend in his life time. He brought music to the masses and with his God-gifted voice and unique style gave a totally new dimension to the music of his time. His unforgettable melodies continue to enthrall millions of listeners and have become a part of our heritage.

As an actor-singer, Saigal attained unprecedented fame and popularity through New Theaters' productions, beginning with 'Chandidas' in 1934, and followed by a number of other box office hits. However, he had already won acclaim from knowledgeable music lovers after the release of his first recording 'Jhulna Jhulao' by Hindustan Records of Calcutta in 1932.

It is as the 'Ghazal King' that Saigal is remembered most by connoisseurs of music who seldom went to cinema. The first ghazal he sang and which created a countrywide sensation was Ghalib's Nukta-chin hai game-dil in 'Yahudi Ki Ladki' released in 1933. Not belonging to any gharana (school) and without any formal training, Saigal stunned the music maestros of his time with his instinctive knowledge of the ragas and his regal and resonant voice. He mesmerised his audiences with his rhythm which had a touch of the divine.

Saigal loved Urdu poetry and he created a new fusion of the music and the poetry. His musical interpretation of the ghazal gave a new form and content to the meaning of the verse. He played with words in a singular manner, producing an amazing array of emotions and sentiments. He seemed to share the joys and sorrows as spelt out in the words. In fact, like a magician, he succeeded in striking similar chords in the listeners' hearts. Many Urdu poets like Zauk, Seemab, Bedam, Arzu and Hasarat became famous, thanks to Saigal's rendition of their poetry.

The great Mirza Ghalib was, however, the most favourite of Saigal. In his own inimitable way, Saigal immortalised Ghalib by singing his verses with his heart and soul, interpreting the deep meaning of every syllable. It is through Saigal that Ghalib gained vast popularity even with the non-Urdu knowing audiences. Again, it is Saigal's choice of Ghalib's ghazals which found place in the famous movie "Mirza Ghalib" produced by Sohrab Modi in 1954. Sung by Saigal, these ghazals continue to enchant listeners all over the subcontinent and abroad even to this day. Many other singers, both male and female, have sung 'Ghalib' but no one has been able to match Saigal, who identified himself with the poet's thoughts and feelings. No wonder, the most popular ghazals of Ghalib till today are those which Saigal sang during the 30s and 40s.

It is a little known fact that Saigal himself was a poet and is said to have recited his own compositions. No recordings are, however, available except the one "Main baithi thi phulwari mein". In this song, written and composed by him, Saigal highlights the divine presence within every human being and points out that it is the inner voice which reveals this to us when we are frustrated with our search in the outer world. He speaks about the closing of one's outer eyes in order to awaken the inner vision for self-realisation. As a poet, Saigal knew how to give life-like imagery to his words. Music was his life and soul. He sang for himself, more like a Sufi saint, finding in music the most effective instrument for sublime communion with the Ultimate. A great artist, a great man, Saigal belongs to the class of human beings who defy death. He is immortal.

The author is a noted freelance writer.

Debut Film :

 

  • Mohabbat Ke Aansoo

 

Famous Films :

Famous Songs:

  • Puran Bhakt (1933)
  • Chandidas (1934)
  • Devdas (1935)
  • Didi (Bengali) (1937)
  • President (Hindi) (1937)
  • Jiban Maran (Bengali) (1938)
  • Dushman (Hindi) (1938)
  • Saathi (Bengali) (1938)
  • Street Singer (Hindi) (1938)
  • Zindagi (1940)
  • Bhakt Surdas (1942)
  • Tansen (1943)
  • Meri Bahen (1944)
  • Shahjehan (1946)
  • Parwana (1947)
  • Dookh ke din ab beetat nahin (Devdas)
  • Balam aaye basomere (Devdas)
  • Babul mora (Street Singer)
  • Diya jalao (Tansen)
  • Do naina matware (Meri Bahen)
  • Chupo na (Meri Bahen)
  • Ek bangla bane nyara (Meri Bahen)
  • Karoon kya aas niraas bhaye (Dushman)
  • Prem nagar mein (Chandidas)
  • Soja rajkumari (Zindagi)
  • Jab dil hi toot gaya (Shahjehan)
  • Hum jee ke kya karenge (Shahjehan)